“Mothering Sunday,” a steamy British drama starring Odessa Young, Josh O’Connor and Olivia Colman, will have its U.S. premiere as the centerpiece film at the Hamptons International Film Festival.
The annual event, running from Oct. 7 through Oct. 13, will also screen Wes Anderson’s “The French Dispatch,” Clint Bentley’s “Jockey,” Penny Lane’s “Listening to Kenny G” and Rachel Fleit’s “Introducing, Selma Blair.”
“Every year we work to bring our audiences out east a diverse and thoughtful selection of films that excite and expand perspectives. We look forward to welcoming this year’s films and filmmakers to the 29th edition,” said Anne Chaisson, executive director of HamptonsFilm. “We are overjoyed to once again be bringing our community together in celebration of some of the year’s most incredible films.”
As previously announced, The Hamptons International Film Festival will host Celine Sciamma’s “Petite Maman,” Julie Cohen and Betsy West’s documentary “Julia,” Andrea Arnold’s “Cow,” Asghar Farhadi’s “A Hero” and Joanna Hogg’s “The Souvenir Part II.” The festival’s opening night film will be the world premiere of “The First Wave.”
“We are thrilled to announce even more wonderful programming for this year’s festival. We will be presenting some of the best films from all over the world, which will transport our audiences to different places, perspectives and stories and help us understand the world that we are in,” said David Nugent, artistic director of HamptonsFilm. “We can’t wait to be back in theaters to see and hear how our passionate audiences respond to the films in this year’s festival.”
In compliance with pandemic safety protocols, The Hamptons International Film Festival will require attendees to be vaccinated for all in-person events. Guests will also be required to wear masks.
See the rest of the lineup below:
dir. Asghar Farhadi (Iran), 2021
Rahim is in jail for a debt he hasn’t been able to pay. During a two-day leave, he tries to convince his creditor to withdraw his complaint in exchange for paying back part of the debt. Rahim is then confronted with a crisis he would never have imagined.
Dir. Mike Mills (USA), 2021
Johnny (Joaquin Phoenix) and his young nephew (Woody Norman) forge a tenuous but transformational relationship when they are unexpectedly thrown together, in this delicate and deeply moving story from writer-director Mike Mills about the connections between adults and children, the past and the future.
dir. Andrea Arnold (UK), 2021
This film is an endeavour to consider cows. To move us closer to them. To see both their beauty and the challenge of their lives. Not in a romantic way but in a real way. It’s a film about one dairy cow’s reality and acknowledging her great service to us. When I look at Luma, our cow, I see the whole world in her.
DRIVE MY CAR
dir. Ryusuke Hamaguchi (Japan), 2021
Yusuke Kafuku (Hidetoshi Nishijima), a stage actor and director, is happily married to Oto (Reika Kirishima), a screenwriter. However, Oto suddenly dies, leaving behind a secret. Two years later, Kafuku, still unable to fully cope with the loss of his wife, receives an offer to direct a play at a theater festival and drives to Hiroshima with his car. There, he meets Misaki (Toko Miura), a reticent woman assigned to become his chauffeur. As they spend time together, Kafuku finally begins to confront the haunting mystery of his wife.
dir. Amanda Lipitz (USA), 2021
In Amanda Lipitz’s documentary film FOUND, three adopted American teenage girls discover that they are blood-related cousins. Their online meeting inspires the young women to confront complicated and emotional questions, and embark on a once in a lifetime journey to China together in search of answers, connections, and their lost history.
THE FRENCH DISPATCH
dir. Wes Anderson (USA), 2021
THE FRENCH DISPATCH brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city. It stars Benicio Del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Bill Murray, Owen Wilson, Christoph Waltz, Edward Norton, Jason Schwartzman, Anjelica Huston.
THE HAND OF GOD
Dir. Paolo Sorrentino (Italy), 2021
From Academy Award-winning writer and director Paolo Sorrentino (IL DIVO, THE GREAT BEAUTY, THE YOUNG POPE), comes the story of a boy, Fabietto Schisa, in the tumultuous Naples of the 1980s. THE HAND OF GOD is a story full of unexpected joys, such as the arrival of football legend Diego Maradona, and an equally unexpected tragedy. Fate plays its part, joy and tragedy intertwine, and Fabietto’s future is set in motion. Sorrentino returns to his hometown to tell his most personal story, a tale of fate and family, sports and cinema, love and loss.
INTRODUCING, SELMA BLAIR
dir. Rachel Fleit, (USA), 2021
Director Rachel Fleit’s deeply intimate and powerful feature of one woman’s journey of personal acceptance and resilience, INTRODUCING, SELMA BLAIR, follows the singular actress as she reckons with the next chapter of her life after being diagnosed with Multiple Sclerosis. The film explores complex issues ranging from dissecting deep-rooted myths about beauty to the collective fear around disability and mortality. Complete with her trademark wit and humor, the documentary film follows Blair as she reconciles a journey of monumental transition.
dir. Clint Bentley (USA), 2021
An aging jockey (Clifton Collins Jr.), hopes to win one last title for his longtime trainer (Molly Parker), who has acquired what appears to be a championship horse. But the years – and injuries – have taken a toll on his body, throwing into question his ability to continue his lifelong passion. And the arrival of a young rookie rider (Moises Arias), who claims to be his son, and whom he takes under his wing, further complicates the path to fulfilling his dream.
dir. Julie Cohen, Betsy West (USA), 2021
JULIA brings to life the legendary cookbook author and television superstar who changed the way Americans think about food, television, and even women. Using never-before-seen archival footage, personal photos, first-person narratives, and cutting-edge, mouth-watering food cinematography, the film traces Julia Child’s 12-year struggle to create and publish the revolutionary “Mastering the Art of French Cooking” (1961), which has sold more than 2.5 million copies to date, and her rapid ascent to become the country’s most unlikely television star. It’s the empowering story of a woman who found her purpose – and her fame – at 50, and took America along on the whole delicious journey.
LISTENING TO KENNY G
Dir. Penny Lane (USA), 2021
LISTENING TO KENNY G is about why some people hate Kenny G’s music, and why so many more people love it. A light-hearted exploration of this conflict raises big questions about taste, genre, and marketing. Along the way we hear from music critics, record executives, radio personalities, market researchers, fans – and of course, the G man himself.
dir. Eva Husson (UK), 2021
On a warm spring day in 1924, house maid and foundling Jane Fairchild (Odessa Young) finds herself alone on Mother’s Day. Her employers, Mr. and Mrs. Niven (Colin Firth and Olivia Colman), are out and she has the rare chance to spend quality time with her secret lover. Paul (Josh O’Connor) is the boy from the manor house nearby and Jane’s long-term love, despite the fact that he’s engaged to be married to another woman, a childhood friend and daughter of his parents’ friends. But events that neither can foresee will change the course of Jane’s life forever.
dir. Céline Sciamma (France), 2021
Nelly has just lost her grandmother and is helping her parents clean out her mother’s childhood home. She explores the house and the surrounding woods. One day she meets a girl her same age building a treehouse.
QUEEN OF GLORY
dir. Nana Mensah (USA), 2021
Sarah (Mensah), a doctoral student at Columbia University, is weeks away from following her very married boyfriend to Ohio when her mother dies suddenly, leaving Sarah the owner of a small but beloved Christian bookstore in the Bronx. Tasked with planning a culturally respectful funeral befitting the family matriarch, Sarah must juggle the expectations of her loving yet demanding family while navigating the reappearance of her estranged father all while grappling with what to do with the bookstore. Aided by an only-in-New York ensemble of Russian neighbors, feisty West African aunties and a no-nonsense Puerto Rican ex-con co-worker, Sarah faces her new responsibilities while figuring out how to remain true to herself.
dir. E. Chai Vasarhelyi, Jimmy Chin (USA/UK), 2021
THE RESCUE chronicles the dramatic 2018 rescue of twelve Thai boys and their soccer coach, trapped deep inside a flooded cave. Academy Award®-winning directors and producers E. Chai Vasarhelyi and Jimmy Chin (FREE SOLO) reveal the perilous world of cave diving, the bravery of the rescuers, and the dedication of an entire community that made great sacrifices to save these young boys. An outing to explore a nearby system of caves after soccer practice transformed into a two-week saga of survival and a story that would capture the world’s attention. With exclusive access and never-before-seen footage from the rescue, the film tells the story of the imagination, determination and unprecedented teamwork displayed during this heroic, edge-of-your-seat mission with life-or-death stakes.
THE SOUVENIR PART II
dir. Joanna Hogg (UK), 2021
In the aftermath of her tumultuous relationship with a charismatic and manipulative older man, Julie begins to untangle her fraught love for him in making her graduation film, sorting fact from his elaborately constructed fiction. Joanna Hogg’s shimmering story of first love and a young woman’s formative years,
THE SOUVENIR PART II is a portrait of the artist that transcends the halting particulars of everyday life — a singular, alchemic mix of memoir and fantasy.
THE WORST PERSON IN THE WORLD
dir. Joachim Trier (Norway/France/Sweden/Denmark), 2021
THE WORST PERSON IN THE WORLD chronicles four years in the life of Julie, a young woman who navigates the troubled waters of her love life and struggles to find her career path, leading her to take a realistic look at who she really is.